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	<title>Sonic Walker &#187; creative commons</title>
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	<link>http://www.sonicwalker.com</link>
	<description>dj-mix netlabel with free mp3 downloads</description>
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		<title>Lessig responds to ASCAP attack on Creative Commons</title>
		<link>http://www.sonicwalker.com/2010/07/13/lessig-responds-to-ascap-attack-on-creative-commons/</link>
		<comments>http://www.sonicwalker.com/2010/07/13/lessig-responds-to-ascap-attack-on-creative-commons/#comments</comments>
		<pubDate>Tue, 13 Jul 2010 18:28:45 +0000</pubDate>
		<dc:creator>Harald Walker</dc:creator>
				<category><![CDATA[creative commons]]></category>
		<category><![CDATA[music industry]]></category>
		<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://www.sonicwalker.com/?p=1354</guid>
		<description><![CDATA[Recently, Creative Commons, along with other groups, was attacked by ASCAP in a fundraising email campaign claiming that CC is working to undermine copyright. But Creative Commons licenses are copyright licenses – plain and simple. They are legal tools that creators can use to offer certain usage rights to the public, while reserving other rights. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.sonicwalker.com/wp-content/uploads/2010/07/Lawrence-Lessig.jpg" title="Lawrence Lessig. Photo by  creativecommons via Flickr." ><img src="http://www.sonicwalker.com/wp-content/uploads/2010/07/Lawrence-Lessig-300x243.jpg" alt="Lawrence Lessig. Photo by  creativecommons via Flickr." title="Lawrence Lessig. Photo by  creativecommons via Flickr." width="300" height="243" class="alignleft size-medium wp-image-1355" /></a>Recently, Creative Commons, along with other groups, was attacked by ASCAP in a fundraising email campaign claiming that CC is working to undermine copyright. But Creative Commons licenses are copyright licenses – plain and simple. They are legal tools that creators can use to offer certain usage rights to the public, while reserving other rights. Without copyright, these tools don’t work.<br />
Creative Commons founding board member Lawrence Lessig has now responded to this untrue attack in <a href="http://www.huffingtonpost.com/lawrence-lessig/ascaps-attack-on-creative_b_641965.html">a column on the Huffington Post</a>, challenging ASCAP president and chairman, Paul Williams, to a debate.</p>
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		<title>Netaudio Festival Berlin 2009 &#8211; “East meets West”</title>
		<link>http://www.sonicwalker.com/2009/08/26/netaudio-festival-berlin-2009-%e2%80%9ceast-meets-west%e2%80%9d/</link>
		<comments>http://www.sonicwalker.com/2009/08/26/netaudio-festival-berlin-2009-%e2%80%9ceast-meets-west%e2%80%9d/#comments</comments>
		<pubDate>Wed, 26 Aug 2009 21:10:24 +0000</pubDate>
		<dc:creator>Harald Walker</dc:creator>
				<category><![CDATA[creative commons]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://www.sonicwalker.com/?p=991</guid>
		<description><![CDATA[[press release] From the 8th to the 11th of October 2009, Netaudio Berlin will be gathering the international netaudio community for a 4 day music and conference festival in Berlin, under the title “East meets West”. 2009 marks the 20th anniversary of the fall of the Iron Curtain, we recall pictures of helping hands reaching [...]]]></description>
			<content:encoded><![CDATA[<p><em>[press release]</em> From the 8th to the 11th of October 2009, Netaudio Berlin will be gathering the international netaudio community for a 4 day music and conference festival in Berlin, under the title “East meets West”. 2009 marks the 20th anniversary of the fall of the Iron Curtain, we recall pictures of helping hands reaching out to pull people from both sides up on to the Berlin wall. The event will take place at Maria, a venue situated immediately on the former Berlin ‘death strip’ once di- viding the city and the world into eastern and western hemispheres. In recent years a netaudio landscape has emerged in the countries of Eastern Europe. Speakers, artists and netlabel managers from Eastern and Western Europe as well as from the USA are invited to ﬁ nd out more about the needs and possibilities, challenges and chances of netaudio under the various cultural frameworks and to discuss new opportunities for networking and collaboration across borders and cultures. </p>
<p><img alt="" src="http://www.netaudioberlin.de/wp-content/uploads/2009/07/netaudiofestival_350_250.jpg" title="Netaudio Festival 2009" class="alignnone" width="350" height="250" /></p>
<p>The musical focus lies on a selection of Berlin’ ﬁ nest electronic music, namely, House, Techno and Minimal. However, many artists from the ﬁ elds of Ambient, Noise, Dub, Drum’n’Bass, Pop, Triphop, Dubstep, Breakbeats, Drone, Hip Hop and Techdub will add to the varied musical program. Although the netaudio scene consists of artists mostly unknown to the broader public, many names have already earned international recognition. This is reﬂ ected in the lineup of the evening program, crowned by such illustrious ﬁ gures as Pheek, D. Diggler, Erich Lesovsky, Marc Schneider, Gold- will, Tanith, Stereoshape, SCSI-9, Disrupt, Holger Flinsch, Marko Fürstenberg, and the Kraftfuttermischwerk. With over 100 participating artists spread over 3 nights, the netaudio festival gives a comprehensive insight into the various musical genres and brings netaudio music to life for participants and visitors. The day program includes numer- ous workshops and discussions with top experts as well as a ﬁ lm program, showcases, a netaudio-(label) exhibition, and various contributions from other art forms. </p>
<p>The Berliner Crew has beneﬁ ted from their experience during the previous Berlin Festival in 2007 and from their involve- ment with international partners in London, Moscow, Barcelona and Bologna. In addition to their ambition to further develop the netaudio scene worldwide, the organizers also hope to strengthen the position of Berlin as a hub between East and West, by integrating various netlabels from all parts of Europe.  The organizers are sending a signal of excla- mation to the netaudio community, especially in the countries of Eastern Europe. </p>
<p>More information:  <a href="http://www.netaudioberlin.de">http://www.netaudioberlin.de</a><br />
Lineup:    <a href="http://www.netaudioberlin.de/artists/">http://www.netaudioberlin.de/artists/</a><br />
Tickets:    <a href="http://tickets.netaudioberlin.de">http://tickets.netaudioberlin.de</a><br />
Logo and Online-Banner: <a href="http://www.netaudioberlin.de/media/">http://www.netaudioberlin.de/media/</a> </p>
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		<title>Back from Cologne Commons</title>
		<link>http://www.sonicwalker.com/2009/06/15/back-from-cologne-commons/</link>
		<comments>http://www.sonicwalker.com/2009/06/15/back-from-cologne-commons/#comments</comments>
		<pubDate>Mon, 15 Jun 2009 20:16:07 +0000</pubDate>
		<dc:creator>Harald Walker</dc:creator>
				<category><![CDATA[creative commons]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[netlabels]]></category>
		<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://www.sonicwalker.com/?p=862</guid>
		<description><![CDATA[Last week I spent two days at the first Cologne Commons conference and festival. Cologne Commons was an intense experience with interesting discussions and great music. It was great to meet some netaudio artists and other people who run Netlabels themselves. Highlights were the live performances of Entertainment For The Braindead and Comfort Fit on [...]]]></description>
			<content:encoded><![CDATA[<p>Last week I spent two days at the first <a href="http://cologne-commons.de">Cologne Commons</a> conference and festival. Cologne Commons was an intense experience with interesting discussions and great music. It was great to meet some netaudio artists and other people who run Netlabels themselves. </p>
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<p>Highlights were the live performances of <a href="http://www.entertainmentforthebraindead.com/">Entertainment For The Braindead</a> and <a href="http://www.comfortfit.de/">Comfort Fit</a> on Friday.  Between 3 and 4 am I played my DJ set with a mixture of electro, breakbeats, techno and house. Below you can find the playlist. The <a href="http://cologne-commons.de/info-kontakt/43-team-cologne-commons-2009">Cologne Commons crew</a> did a great job in organizing this event, and I would like to thank them for inviting me. </p>
<table cellpadding="2" cellspacing="0" class="border" width="95%">
<tr>
<th>
<div align="left">#</div>
</th>
<th>
<div align="left">Artist</div>
</th>
<th>
<div align="left">Title</div>
</th>
<th>
<div align="left">Label</div>
</th>
<th>
<div align="left">Catalog No.</div>
</th>
</tr>
<tr>
<td>1</td>
<td nowrap="nowrap">Dorothy&#8217;s Magic Bag</td>
<td>Female Voice</td>
<td>Candy Mind</td>
<td>candy027</td>
</tr>
<tr>
<td>2</td>
<td nowrap="nowrap">Markus Masuhr</td>
<td>Some People Call Me Later</td>
<td>Subversive Media</td>
<td>sm001</td>
</tr>
<tr>
<td>3</td>
<td nowrap="nowrap">Markus Masuhr</td>
<td>Novrosibirsk</td>
<td>Equaliteq</td>
<td>Eqq017</td>
</tr>
<tr>
<td>4</td>
<td nowrap="nowrap">Docma</td>
<td>Sum Sum</td>
<td>Idealtechno</td>
<td>ideal017</td>
</tr>
<tr>
<td>5</td>
<td nowrap="nowrap">Prosper Prowano</td>
<td>elektro star (kraken!)</td>
<td>Future-Komp</td>
<td>FK012</td>
</tr>
<tr>
<td>6</td>
<td nowrap="nowrap">Patrick Diessner</td>
<td>What&#8217;s Next</td>
<td>Stadtgruen</td>
<td>stadt018</td>
</tr>
<tr>
<td>7</td>
<td nowrap="nowrap">Retax Gorgon</td>
<td>Integrated Lifeforms</td>
<td>nonstopnonsense.netLab</td>
<td>nnnl.upd.01</td>
</tr>
<tr>
<td>8</td>
<td nowrap="nowrap">Liquid Strange</td>
<td>Smeartest (extended)</td>
<td>Candy Mind</td>
<td>candy027</td>
</tr>
<tr>
<td>9</td>
<td nowrap="nowrap">Stig Inge</td>
<td>Snuff</td>
<td>Musicartistry Recordings</td>
<td>MA029</td>
</tr>
<tr>
<td>10</td>
<td nowrap="nowrap">finegrind &amp; benson</td>
<td>Zimmer042.05 &#8211; reflex</td>
<td>Zimmer Records</td>
<td>zimmer042</td>
</tr>
<tr>
<td>11</td>
<td nowrap="nowrap">Badtrans</td>
<td>Maysource</td>
<td>Gartenzwerg Records</td>
<td></td>
</tr>
<tr>
<td>12</td>
<td nowrap="nowrap">Baymont Bross</td>
<td>Anthony Rother Is Playing At My House</td>
<td>Evil Records</td>
<td>EVIL-017</td>
</tr>
<tr>
<td>13</td>
<td nowrap="nowrap">ZLIJAY</td>
<td>Who&#8217;s Got Da Beat</td>
<td>Oscilator</td>
<td>freeosc44</td>
</tr>
<tr>
<td>14</td>
<td nowrap="nowrap">MdM</td>
<td>Come Back</td>
<td>Nu Logic</td>
<td>Nu-Logic012</td>
</tr>
<tr>
<td>15</td>
<td nowrap="nowrap">Hannelore Klinke</td>
<td>Daftdiscorockpunk Technolectromalephonk (Sanomats Acid Kingz Remix)</td>
<td>Rest</td>
<td>rest025</td>
</tr>
<tr>
<td>16</td>
<td nowrap="nowrap">Lé Housetear</td>
<td>Musique pour lé Futur</td>
<td>Auflegware</td>
<td>alw027</td>
</tr>
<tr>
<td>17</td>
<td nowrap="nowrap">demir</td>
<td>fist of tequeneek</td>
<td>Pentagonik</td>
<td>pntg007</td>
</tr>
<tr>
<td>18</td>
<td nowrap="nowrap">Benny Feenell</td>
<td>Manic Delusion (Club Mix)</td>
<td>FOEM</td>
<td>ElecYouth15</td>
</tr>
<tr>
<td>19</td>
<td nowrap="nowrap">andrea p</td>
<td>feeling stolen</td>
<td>Inoquo</td>
<td>inoquo044</td>
</tr>
<tr>
<td>20</td>
<td nowrap="nowrap">electoy</td>
<td>exodar</td>
<td>Symbiont-Music</td>
<td>sm015</td>
</tr>
<tr>
<td>21</td>
<td nowrap="nowrap">Crookram</td>
<td>Hostile</td>
<td>Budabeats</td>
<td>bube002</td>
</tr>
</table>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Netaudio videos</title>
		<link>http://www.sonicwalker.com/2009/06/02/netaudio-videos/</link>
		<comments>http://www.sonicwalker.com/2009/06/02/netaudio-videos/#comments</comments>
		<pubDate>Tue, 02 Jun 2009 22:07:58 +0000</pubDate>
		<dc:creator>Harald Walker</dc:creator>
				<category><![CDATA[creative commons]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.sonicwalker.com/?p=851</guid>
		<description><![CDATA[I recently got involved with video again and just released my second music video featuring the track &#8216;Ein Bild von Dir&#8217; by Gleichschalter [broque018]. Using Creative Commons licensed music in a video turned out to be a bit more complicated than expected. According to a document published by Creative Commons, one can not use music [...]]]></description>
			<content:encoded><![CDATA[<p>I recently got involved with video again and just released my <a href="http://www.vimeo.com/4965984">second music video</a> featuring the track &#8216;Ein Bild von Dir&#8217; by Gleichschalter [<a href="http://www.broque.de/label/en/release/mp3-download-en/456-018-va-oab-mittwinterkollektion">broque018</a>]. Using <a href="http://creativecommons.org">Creative Commons</a> licensed music in a video turned out to be a bit more complicated than expected. According to a <a href="http://creativecommons.org/legalmusicforvideos/">document</a> published by Creative Commons, one can not use music under a <em>No Derivative Works</em> (ND) license. In case of my music videos I got permission, and for some other videos I used music with an <em>Attribution</em> (BY) or <em>Attribution-ShareAlike</em> (BY-SA) license. Most netlabels featured here on Sonic Walker publish their work under a <em>No Derivative Works</em> (ND) license and since mp3 files usually don&#8217;t carry any license information, it is not easy to search for music by license type. A good place to find music which you can use and remix is <a href="http://www.jamendo.com">Jamendo</a>. On Jamendo one can search by artist, album, tags etc. in combination with the desired CC license (<a href="http://www.jamendo.com/en/tag/ambient?license_minrights_c=on&#038;license_minrights_d=on&#038;location_country=all&#038;order=ratingmonth_desc">example</a>).</p>
<p><object width="480" height="270"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=4965984&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=4965984&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="480" height="270"></embed></object>
<p><a href="http://vimeo.com/4965984">Gleichschalter &#8211; Ein Bild von Dir</a> from <a href="http://vimeo.com/haraldwalker">Harald Walker</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>If you are interested in creating and sharing your own netaudio videos you can add them to the <a href="http://vimeo.com/groups/netaudio">Netaudio Group</a> on Vimeo.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>First part of netlabel research report available</title>
		<link>http://www.sonicwalker.com/2009/02/12/first-part-of-netlabel-research-report-available/</link>
		<comments>http://www.sonicwalker.com/2009/02/12/first-part-of-netlabel-research-report-available/#comments</comments>
		<pubDate>Thu, 12 Feb 2009 19:49:13 +0000</pubDate>
		<dc:creator>Harald Walker</dc:creator>
				<category><![CDATA[creative commons]]></category>
		<category><![CDATA[netlabels]]></category>
		<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://www.sonicwalker.com/?p=689</guid>
		<description><![CDATA[In cooperation with Phlow Patryk Galuszka presents selected results of the first part of a research, which was conducted to learn more about netlabels. The research is a part of his postdoctoral project which deals with netaudio scene from perspectives of business studies and economic sociology. Patryk got in contact with 650 netlabels, send out [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.sonicwalker.com/wp-content/uploads/2009/02/picture-86.png"><img src="http://www.sonicwalker.com/wp-content/uploads/2009/02/picture-86-150x150.png" alt="" title="Netlabel research" align="right"  width="150" height="150" style="padding-left: 5px" class="flickr-thumbnail" /></a>In cooperation with <a href="http://phlow-magazine.com">Phlow</a> Patryk Galuszka presents selected <a href="http://phlow-magazine.com/feature/1076-netlabel-research-numbers-results-paper">results</a> of the first part of a research, which was conducted to learn more about netlabels. The research is a part of his postdoctoral project which deals with netaudio scene from perspectives of business studies and economic sociology. Patryk got in contact with 650 netlabels, send out 569 questionnaires and received 339 complete questionnaires during his research. </p>
<p><a href="http://phlow-magazine.com/feature/1076-netlabel-research-numbers-results-paper">More information and download</a></p>
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